Cowboy Exhibit Opens at the Amon Carter Museum of American Art

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Cowboy at the Carter
Grace Kennison (b. 1995), I Remember Being Alone, 2023, acrylic on canvas, Courtesy the artist.

Cowboy, a nationally touring exhibition organized by the Museum of Contemporary Art (MCA) Denver, is now open at The Carter Museum through March 23, 2025. The exhibition brings together approximately 60 cutting-edge contemporary artworks, including new commissions from more than 25 artists.

The artists featured in the exhibition include Asian American, Black, Indigenous, and Latino perspectives, all re-examining the significance of cowboy imagery in American culture. The exhibition aims to shift the narrative of the Cowboy’s cultural power and significance to be both historically accurate and creatively imaginative.

Cowboy Exhibit Provides New Insight

“Cowboy reexamines a familiar figure represented in the core collection of the Carter, providing new insight into the historical and current realities of the cowboy, not just in art, but across American culture,” stated Andrew J. Walker, Executive Director. “We are honored to be the second stop on the national tour of this exhibition, which embodies the Carter’s commitment to showcasing the breadth and depth of American creativity through multiple perspectives.”

The exhibition reexamines the legend and lore of the cowboy through a new lens, exploring how the myth of the cowboy exists today. Works on view represent a range of perspectives and explore a wide array of themes, including the cowboy’s role in shaping our perception of masculinity and gender. Long-held assumptions about cowboys’ relationship to land and the way these assumptions come into conflict with the lived experiences of contemporary cowboys are examined.

“Cowboy” aims to disrupt the homogenous ideal of the cowboy as a white, cisgender American male and showcase the diverse manifestations of this figure across communities, with works spanning a variety of media.

“If we think about who was and is responsible for cattle-related labor in the American West, it’s easy to fall into the trap, promoted by pulp fiction, dime novels, Hollywood, and many other cultural producers, that everyone looked like the Marlboro Man or a figure in a Remington painting,” said Andrew Eschelbacher, Director of Collections and Exhibitions. “Through the work of leading modern and contemporary artists, the picture of who a cowboy was and is—Black, Asian American, LGBTQIA+, Native, a woman, or so much more—expands to be something much more reflective of historical and present-day reality. This show expands the narrative of cowboy culture for our visitors’ historical and present-day reality. This show expands the narrative of cowboy culture for our visitors in a city that is a historic epicenter of ranching and wrangling.”

Over 60 Artworks in Cowboy

touring exhibition Cowboy at Carter
Matthew J. Mahoney (1988–2017), Untitled, from the series In the Wake of John Joel Glanton, 2013, ink on paper, Courtesy the Estate of Matthew J. Mahoney, Photo by Oriana Poindexte.

The Cowboy exhibit features more than 60 artworks, including multimedia, painting, photography, and sculpture, spanning the mid-1960s to today. The majority of the work was produced in the last 20 years. Included in the exhibition are five works by Stephanie Syjuco created as part of the Carter’s 2022 commissioned exhibition Stephanie Syjuco: Double Vision, in which she reconsidered the mythologies of the American West through the examination and transformation of works from the Carter’s collection. Syjuco is one of more than 25 contemporary artists represented in Cowboys.

Artists for Cowboy include John Baldessari, R. Alan Brooks, Mel Chin, Gregg Deal, Angela Ellsworth, rafa esparza, Juan Fuentes, Karl Haendel, Grace Kennison, Deana Lawson, Matthew J. Mahoney, Laurel Nakadate, Richard Prince, Lucy Raven, Ken Taylor Reynaga, Jaye Rhee, Ana Segovia, Amy Sherald, Kenneth Tam, Andy Warhol, and Nathan Young. The exhibition features newly commissioned work by R. Alan Brooks, Gregg Deal, rafa esparza, and Nathan Young. Cowboy is organized by Nora Burnett Abrams, Mark G. Falcone Director, and Miranda Lash, Ellen Bruss Senior Curator, both of the Museum of Contemporary Art Denver.

Cowboy print at the Carter Museum
Richard Prince (b. 1949), Untitled (cowboy), 1989, chromogenic print, Courtesy Richard Prince Studio.

A fully illustrated catalogue co-published by MCA Denver and Rizzoli with essays by Nora Burnett Abrams, Myeshia Babers, and Jongwoo Jeremy Kim is also available. The catalogue is produced through the special support of the Blue Rider Group of Morgan Stanley.

The Carter

The Amon Carter Museum of American Art (the Carter) is a dynamic cultural resource that provides unique access and insight into the history and future of American creativity through its expansive exhibitions and programming. The Carter’s preeminent collection includes masterworks by legendary American artists, as well as one of the country’s foremost repositories of American photography. In addition to its innovative exhibition program and engagement with artists working today, the Museum’s premier primary research collection and leading conservation program make it a must-see destination for art lovers and scholars of all ages nationwide. Admission is always free. To learn more about the Carter, visit cartermuseum.org

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Jo Ann Holt
Jo Ann Holt is an award-winning journalist with 40+ years of experience as a writer and editor. She loves live performances, from country music concerts to Broadway musicals to community theatre productions. Holt also enjoys art and cultural festivals, and good food and wine. She’s toured Amsterdam, London, Puerto Rico, the Bahamas, and various cities in Mexico but looks forward to visiting even more countries. She has traveled by boat, plane, and train, but especially likes taking long road trips across the U.S. with her husband, retired history professor Durhl Caussey. They enjoy meeting friendly people, learning about different cultures, and visiting historic sites wherever they go.

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